It is their stopping point minded, obstinate attitudes, which lead to their diminution in the drama, and finally to a series of deceases. In the beginning Antigone is a stopping point minded character who subsequently becomes unfastened minded. After the decease of her brothers, Eteocles and Polyneices, Creon becomes the swayer of Thebes. He decides that Eteocles will have a funeral with military awards because he fought for his state.
In Oedipus the Kinghe seems like a totally rational guy. In Oedipus at Colonus he becomes the full-fledged smooth-talker he had in him all along. His hyper-logical mind refuses to recognize the bonds of familial love that tie Antigone to her brother Polyneices.
He rejects the irrational laws of the gods in favor the rational laws of man: Did they forsooth award him special grace, And as some benefactor bury him, Who came to fire their hallowed sanctuaries, To sack their shrines, to desolate their land, And scout their ordinances?
Or perchance The gods bestow their favors on the bad. I have long noted malcontents Who wagged their heads, and kicked against the yoke, Misliking these my orders, and my rule.
Of evils current upon earth The worst is money. One of the things that sets great tragedy apart from mere melodrama is that all the characters ultimately have good intentions.
The plays become tragically ironic when these good intentions bring misery and horror for all. In great tragedy, there are antagonists like Creon but there are rarely villains. Lawmaker The first thing Creon does in Antigone is declare a harsh but understandable law.
He proclaims that while the body of Eteocles will be buried with dignity, the corpse of Polyneices will be left to rot on the field of battle. Polyneices is a traitor.
He allied with other city-states and attacked his hometown. He nearly brought on the whole sale destruction of Thebes: In the parados the Chorus expresses anger at Polyneices and joy over his defeat, showing that the people of Thebes are none too pleased with his actions. If such a person died in the battle would they be buried with full honors in Arlington?
The president would have a really hard time justifying such an action. Creon makes matters worse by refusing to relent in the face of mounting opposition. His tenacious allegiance to the laws of state turns out to be his hamartia, a word commonly referred to as tragic flaw, but more accurately translated as tragic error.
Ironically, Creon starts accusing everybody of conspiracy, just the way Oedipus accused him. Also like Oedipus, he disbelieves the words of the blind prophet Teiresias. Once again, though, what seems to be a flaw is also in some ways a virtue.
The city is just coming back together from a state of total anarchy. The people need a strong and steadfast leader to bring them together. However, this seemingly selfish worry also comes out of a concern for his people. A wishy-washy leader can be a very dangerous thing in a time of crisis.
If Creon appears to be weak the whole city could descend back into chaos. Slowly, over the course of the play he becomes less and less extreme. First he relents on having Ismene executed along with her sister.
Next he has Antigone entombed instead of outright executed. To yield is grievous, but the obstinate soul That fights with Fate, is smitten grievously.- Creon as the Main Character of Antigone Throughout the Greek play Antigone by Sophocles, there exists a dispute as to who should receive the designation of main character.
Antigone, the daughter of the cursed King Oedipus, as well as Creon, stately king of Thebes, both appear as the key figures in this historic play.
Creon - Antigone's uncle. Creon is powerfully built, but a weary and wrinkled man suffering the burdens of rule. A practical man, he firmly distances himself from the tragic aspirations of Oedipus and his line. As he tells Antigone, his only interest is in political and social order.
Creon is bound to ideas of good sense, simplicity, and the banal happiness of everyday life. Antigone - The play's tragic heroine. In the first moments of the play, Antigone is opposed to her radiant sister Ismene. Unlike her beautiful and docile sister, Antigone is sallow, withdrawn, and recalcitrant.
Read an in-depth analysis of Antigone. In the play “Antigone”, Sophocles at first portrays Creon as a just leader. He has good, rational reasons for his laws and punishments.
He has good, rational reasons for his laws and punishments. By the end of the play Creon’s hubris, or excessive pride, has taken over him, which leads to his demise. In Sophocles & # ; Grecian calamity, Antigone, two characters undergo character alterations - Character Changes Involving Antigone And Creon Essay introduction.
During the drama the audience sees these two characters & # ; attitudes change from near minded to open-minded. One of the arguments made in favor of Creon being the more tragic character is that he does, in fact, change over the course of the play, while Antigone, despite experiencing changes in external.