This aspect of her work has resulted in many imitators. On another level, her poems and stories, by showing the reactions of a raw-nerved, hyperaware individual to an indifferent, if not hostile, environment, provide a sensitive interpretation of universal vulnerabilities. Her feelings for her loved and hated father, her suicide attempts, her anger at the world, and her existential loneliness are described in sharp detail. The poems rage or speak up faintly from a well of despair.
This aspect of her work has resulted in many imitators. On another level, her poems and stories, by showing the reactions of a raw-nerved, hyperaware individual to an indifferent, if not hostile, environment, provide a sensitive interpretation of universal vulnerabilities.
Her feelings for her loved and hated father, her suicide attempts, her anger at the world, and her existential loneliness are described in sharp detail.
The poems rage or speak up faintly from a well of despair. Occasionally they scream a furious triumph over the forces that oppress her.
They are dancing and stamping on you. They always knew it was you. Many of the poems express the need for purification—for a death followed by a rebirth.
The work is cited by those who argue that Plath did not intend her third attempt to be successful but wanted to be found just in time and revived, as she had been before. Stylistically, the poems changed as her emotional intensity increased.
Her first poems were carefully structured, delicately rhymed pieces, but she soon learned to do violence to form to produce tough, forceful poems that were spare and cutting.
Her early poems were characterized by sharply detailed nature imagery, with verbs carrying much of the burden of description. Snowcakes break and welter. The off-rhymes and the alternating long and short lines suggest the rhythm of the sea, a movement that provides a subtle counterpoint to the argument of the poem.
The later poems are more direct, more personal, and far less pictorial. Nature images are pressed casually into the service of an emotional immediacy: I am incapable of more knowledge. What is this, this faceSo murderous in its strangle of branches?
The last poems are dominated by images of wounds and mutilations, surgical operations, Holocaust victims, and illness. The final poems become incandescent in their suffering; Jew and Nazi become a metaphor for the relationship between Plath and her dead father and in fact the whole male, oppressive society.
All barriers between the metaphoric and the real, the interior and exterior world, blur as Plath approaches her final act of self-deliverance. Her autobiographical novel, The Bell Jarshows the same confrontation between its hypersensitive woman persona, Esther Greenwood, and a hostile world.
Particularly vivid in her novel is the growing feeling of detachment from herself that she must have shared with her protagonist: When she looks at herself in mirrors, she does not recognize herself but sees the image as someone else. Like the poetry, The Bell Jar is dominated by death and the oppressive male world that pulls Esther deathward.Sylvia plath poetry essay thesis.
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Sylvia Plath (Also wrote under the pseudonym Victoria Lucas) American poet, novelist, short story writer, essayist, memoirist, and scriptwriter.
Sylvia Plath was born on October 27th, of two parents in a middleclass household in Boston. At a very young age, she demonstrated great literary talent and a hardworking attitude, publishing her first poem at the age of eight and maintaining a straight A record throughout all of her studies.
- Metaphors Analysis in Sylvia Plath's Poem In Sylvia Plath’s poem, Metaphors, she uses striking imagery to explore her ambivalent attitudes about pregnancy. For example, she uses a negative metaphor saying she is an elephant, meaning she thinks that she has become very fat since she got pregnant.
Sylvia Plath was a gifted student who had won numerous awards and had published stories and poetry in national magazines while still in her teens.
She attended Smith College on scholarship and continued to excel, winning a Mademoiselle fiction contest one year and garnering a prestigious guest editorship of the magazine the following summer.
Essays and criticism on Sylvia Plath - Critical Essays. Plath’s poetry has a two-level audience—some readers are drawn to her work for its sensationalism, its willingness to share details of.