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At first glance, it seems like such a specific setup that this fully fledged genre should actually be just a niche interest. Cowboys on their horses always seem to belong to the generation beforeyet the Western never really leaves, with constant new films, Sisters in japanese writing and video games published in the genre year after year.
By understanding what that is, authors can prepare themselves to write great Western stories. To that end, this article will cover the three golden rules of the Western, along with some advice on how to apply them to your own writing.
The cowboy hat, horse, revolver and spurs are shorthand for a familiar, trustworthy character. Dropped into this strange setting, children are greeted by the familiar and orientating presence of the dependable, recognizable cowboy. But what makes a cowboy such a reassuring presence?
The cowboy is an icon of the West this time in terms of world culture, not literary genre and especially of America.
In contrast to other iconic figures such as the alien, the vampire or the piratethe cowboy is firmly rooted in a single place and time — cowboys exist pretty much exclusively in the American West.
Understanding this, it can be confusing that the Western remains so popular. Why are so many people so excited by stories set in a single time period of one country? The answer is that the Western is actually the most visible aspect of a wider literary genre — one which is often obscured by lines of culture.
This was possible because these very different figures are used to tell the same sort of story — the aesthetic varies, but the themes explored are constant. The hat, horse and gun are an easy visual shorthand for these themes, but they should never be considered the same thing.
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The serious side to this idea is that fans of Western themes often find themselves disappointed by narratives that are more interested in the Western look. That is, fiction which focuses on characters or ideas that are in conflict with their apparent successors.
The American West is a perfect setting for these themes since it presents a situation in which modernity, as we understand it now, was beginning to overtake a more traditional and less complicated kind of life. McCarthy asks hard questions, leaving it unclear whether society has changed for the worst, or if it has just left his characters behind.
I got set next to this woman… She kept on, kept on. Finally told me, said: I want my granddaughter to be able to have an abortion.
Which pretty much ended the conversation. In both cases, the iconic figure is an individual suited perfectly to an older version of the world. The cowboy is a hero of the desert, the samurai a brave knightbut the cities overtake the wilderness, the feudal system withers, and the protagonist is marooned in a new age, becoming a bastion of tradition just by staying the same.
Westerns are about confrontations between systems of belief. The protagonist, a young girl at the start of the story, is now a grown woman and has sought out gunslinger Rooster Cogburn to thank him for his help during the events of the story. Western heroes work as a counterpoint to the new way — for them to live on comfortably is to suggest that society might someday stop changing.
Their real triumph is to make the point that the old ways still have value, and should not be forgotten completely. Instead, the reader is shown that her life has been influenced by him — the past has shaped the future, but it is still irrevocably gone.
Portis underscores this by pointing out that another character, younger than Cogburn, is himself now an old man: I heard nothing more of the Texas officer, LaBoeuf. If he is yet alive and should happen to read these pages, I will be pleased to hear from him.A Stetson and a six-shooter don't make a Western - don't get sidetracked by appearances.
Click To Tweet. That’s not to say that the cowboy look is useless – it’s a unique aesthetic, and suits Western themes perfectly – just that writing a Western is far more about the themes being discussed.
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